Wednesday, 14 May 2014

Learning report



Roxanne Beynon
GDES3004
Childrens book design

Learning report

During the course of the module I have developed a range of knowledge surrounding the general requirements of children's book design. Students were encouraged to consider locally sourced ingredients and sustainable foods for a children's recipe book aimed at a target age group of 8 and over. By addressing the interests and needs of children this age in terms of book design it became apparent that the parents or guardians would be involved with the cooking process therefore this sustainable cookbook would have to be attractive and enjoyable for both children and their accompanying adult. 
During the initial lectures we were introduced to the concept of age related materials and the appropriate use of illustration and art styles. By assessing the use of typography together with scale, imagery and colour of examples in children's book design, groups realised strengths and weaknesses in design and gained knowledge in the best ways to target our future brief.
Before beginning my practical development I took some time to discuss the project with two of my friends children; Beth who is 10 years old this June, and Sophie who just turned 8 years old. I gathered information from them with regard to what they felt would appeal to them, this basically outlined colour, some font styles, characters, and ideas for extra features. By discussing the brief with them I was able to gain insight in the preliminary stages as to what children of the target age find appealing. I had similar discussions with their parents, which resulted in a range of ideas and thoughts that I began working upon as roughs.

During my development it became incredibly clear that research is a key element of all design which develops an understanding of current trends, gaps in the market, acceptable and appropriate material, illustration and art styles, use of typography and understanding the target audience. Through the research that I therefore conducted, I found that despite audience opinions that my initial Ideas were interesting, there was more room for development in other Ideas I had explored. For example, my "googleye's" although fun and children enjoyed them, were 'scrapped' as I was informed later on of a similar concept called "ooglies". This made me feel as though my characters were not an original art style. In addition, the characters above once developed further became quite bold and clunky, which is fine for young children but in order to appeal to adults as well as children of 8 and upwards I opted to follow a more delicate and cooky design path. Later in my creative development I took the characters away from my designs, replacing this with a secret ingredients notebook as an extra feature to engage young minds. 
After discussing the work created so far with peers, Beth, Sophie and their parents, I decided to further develop my cover design based on the look of a screen print and under the title "little green trees", this name comes from my little brother who often called Broccoli little green trees when he was younger. To me this adds a personal touch to the book that also conveys the notion that brocolli and other vegetables come from nature. I had taken colour examples to show Beth and Sophie, and they both selected a range that appealed to them. I referred back to the market currently, discovering a popular trend in 'Flat Ui' colours used for digital media and E-books etc. From here I based my Cover design on a simple two colour template and finalised on a flat pastel green. Green reflects the notion of being environmentally friendly and eco-aware for its obvious associations with the outdoors and plant life whilst also looking contemporary and modern enough to stand out in the current market both digitally and as hard copy. In addition I have made a deliberate effort to make the book cover appealing to both boys and girls through the colour chosen.
My cover shows a circular motif surrounded by various food and sustainable and environmental images such as vegetables, farm animals and a tractor. I chose to use a circle as this embodies the notion of balance, zen, the earth and the seamless continuation of life. All these represented factors contribute to the book being instantly recognisable as something healthy, sustainable and eco-aware. Initially the tractor which sits at the top of the circle, faced toward the spine of the book, but after consideration I turned it to face the right like this in order to evoke the sense of moving "through" the pages rather than away from them. With my cover motif children can also see how farming relates to food and animals. thus educating them and building an appreciation of this relationship.
Ideally, I would like to have a wipe clean cover for the book if not the designed covers themselves. In addition, I would like to have the text on the front cover raised and glossy. I believe this would enhance the overall appearance by highlighting the text but also create something tactile and therefore more memorable for children. I believe that the overall look of the book would be improved by creating a classier yet approachable and delicate appearance, while at the same time becoming more fun and 'feely'.

For my interior spreads I decided to add a sense of continuity by repeating typographic styles, and the way in which children would interact with the book. Circular motifs which reflect the connotations of the front cover conceal a flap which once opened reveal images of the recipe as it is being prepared along with text instructions. By creating an interactive page the child would engage more thoroughly with the recipe and could lift the flap and read to the parent who may be cooking the "adult alert" sections, this way the child remains involved in all stages. After discussions with Beth and Sophie regarding the 'easy peasy purple broccoli gratin" recipe. I incorporated the idea of a "secret ingredients" notebook which could be bound into the cover of the book or in a secret compartment in the centre pages etc. This Idea stemmed from Sophie's opinion that the Gratin would taste nicer if we added cheese. We recooked the recipe together and all agreed that it was improved from adding our "little extras". However, as tastes vary person to person, we decided this would be an extra added feature where children and their parents could have their own variations of the ones within the recipe book. This concept seemed popular during user testing and discussions with peers and parents etc. Mostly due to the fact that 8+ children start to develop the feeling of wanting to be more adult, so by being part of the creator of their own recipe, this allowed the book to be more engaging, fun and appropriate for them.

Overall the spreads would be created from eco-friendly or recycled paper with a wipe clean finish thus increasing the longevity of the book within a messy kitchen environment, but also making the book again more interactive. Ideally I would like the illustrated images, and title fonts to be slightly raised or more glossy in a similar manner to that of the front cover.
I have considered the way in which digital media is becoming increasingly strong within all variations of literature and illustration, therefore I have explored the way in which my cover and some elements of the spreads would look and operate in digital applications. I thought it would be enjoyable to watch for example, if once loaded onto say an I'pad, the same circular motifs featured in the book with flaps to lift, could be 'flipped' by a spatula to reveal the steps. Sounds such as bubbling and sizzling could be added during this action which would create a multidimensional application for children to enjoy. I have incorporated the image of a QR code in my book, which for older children who have phones could direct them to a page of cool facts, games and information about sustainable foods. If I had the ability to I think it would be appropriate for this project to have the option of being directed to a site where there was information about all the local farm produce shops in that area, this way children could pick a recipe, and then know where the best place to buy the ingredients from locally is. Perhaps then mom and dad could take them to purchase the ingredients ready for cooking.

To conclude, my book cover and motif design seek to explore the notion of balance, zen, a respect for the environment, enhancing knowledge of associating factors and building an understanding of where food comes from. Essentially the art style chosen seeks to attract both adults and children as I believe this enables room for maturity and develops a longer 'shelf life' to the book. Its conceptual wipe clean pages would also give extra longevity allowing the recipes to be part of the kitchen for a longer time. The design is aimed at both boys and girls through the colour and styles chosen while maintaining a balance between being fun, and delicate. The secret note-book adds a touch of something private for the child which encourages their sense of independence, building confidence in their own ability to cook in the future and gives them something to be proud of if they believe they have somehow 'improved' the recipe.


Word count: 1582


RESOLVED DESIGNS







Mock ups. Resolved designs


Changes to spread 1


Going off conversions with Lynda, peers and children as well as parents I 'scrapped' the Idea of incorporating the veggie characters. Although I feel this Idea was strong and It gained positive feedback, it did not sit appropriately in this design style which creates a stronger look to me. I have retained a sense of delicacy from the cover with more fun elements through use of handwritten and childish typography and a balance between bright and pastel colours.

Spread 2 development





As previously mentioned I have added continuity throughout my spread and cover designs by using the reoccurring circular motif which conveys a sense of time and the world. I have used associating imagery on the surface of the circles that links both to the recipe and the ingredients used.
I chose to use an orange/yellow colour scale here which associates with the thought of eggs and cheese.
The flaps will lift out art various angles to keep the spread cooky and fun. In edition this increases the space available for information and engages the child more in the design through interaction.

Wednesday, 30 April 2014

Feedback from Lynda

Feedback so far from Lynda:

Hi Roxy - this is coming along very nicely!!

  • Glad you've knocked back the strong background for the insides - that's why it was looking too much like the cover. Nice colour combo that could vary within a full book.
  • It's got a lovely style to it now - sophisticated enough for parents and engaging enough for 8+ children.
  • Liking the broccoli character - just make sure all your illustration holds together as one style. I know the source of the googly eyes but the reader doesn't - see what they think in peer assessment.Also you previously mentioned 'Little green trees' - this could be the key pivot for the look and feel of the book - more 'delicate' and 'sweet' than googley eyes (which still works - but with a different treatment).
  • Heading font - again, make sure everything hangs together style-wise - look back to your cover.
  • Incidentally, I liked the illus around the dish on your previous burgundy layout.
  • All the elements are good - just push forward to come to a conclusion. Don't lose your thread by trying too many variations.
  • Hope that helps, you've worked really well on this and it shows a variety of quality applications style-wise that would impress any publisher.


I am happy with what Lynda is saying and agree with all points made, I will develop this over the next few days before adding images from my second spread. 

What i will do next:

Wait for peer assessment and get a range of feedback to take forward for resolved body of work.

A little chat with my target audience

A chat with Beth:

Here is a recording of a little chat I had with my friends daughter. She is ten years old so I felt it may be useful to get her opinion on my work so far. We had an extensive conversation about my use of colour, illustrative style, added feature concepts and the recipe in general. I didn't record the whole conversation just so she didn't feel awkward at all. However I got some really useful opinions and some notable points are as follows:


  • She loved the use of colour, the range of pastel yet bright and flat colours. She described them as pretty but boys and girls could both like them. Her favourite was the pale green.
  • She enjoyed my choices of typography and had no problem at all reading them. Her favourite was the "munch munch" which is a hand written font.
  • She found the recipe a little boring as standard. But when i asked her "what if you could add your own secret ingredients after you had tasted it" she replied explaining that she would find that fun and maybe she could add cheese as this was her favourite topping. We tried that and she ate it all and asked for more even with the smelly little fish!
  • She encouraged my use of characters and found the notion of googgly eyes very amusing, she introduced me to a really fun little animation called "ooglies" which actually seems very similar to what i was going for initially.

Saturday, 26 April 2014

spread




development



spread development







something new





Returning to the main brief


What next:

Following my visit to london, I had a few days off to get some head space from my work, I believed this would give me time for stewing up some more creative Ideas. 
After coming back to it, I have decided I definitely want to incorporate some extra features such as the diary/note book, and that I am going to try something new for the inner spreads, as what I have been developing so far, doesn't sit right for me. It looks too similar to the front cover design I have chosen to go with. After conducting some more research and looking at what I have done so far I feel that I need something more cooky and playful.


London book fair and task:

Task:

Consider three different innovations around the subject of children’s book design. These could be elements of design, illustration style, graphic design, added features, format or even a emerging trend of children’s books. (1 side of a4) With supporting reference information. These could be leaflets, photographs of a book/element itself.
Explain how is has been used within the design of the book or is connected to book design/publishing
Describe/explain why you consider it to be innovative.
Consider whether you think it has been used appropriately or is suitable for children. Explain your answer.

Innovation 1:




This series of books are called ‘make your own sound books’ and are based around the concept of young children interacting with the book itself in a way that is more than "just reading". (Almost becoming a performance for the child). Designed to be placed over the child’s face, this level of interaction includes them in the story, in a way making them the main character and also teaches them noises that the animals make through their own repetition of the sound along with encouragement from the parents or caregivers; for example, the image of a cow provokes a "MOOO" and the more this happens, the more educated the child becomes  in the sounds animal makes. In terms of over children who are viewing this, such as siblings etc, this practise is also educational and fun for them as they can watch all this going on. In addition the template itself is repetitive. The child will know automatically really, that he or she should put the book to their face, and this simple structure is continuous throughout making it easy to play with and understand. 

 Questions are asked, such as "who am i now?" which creates better relationships with the story line and also encourages deeper bonds with child and caregiver or other children watching. Created from a thick board , the books remain rigid with thick individual pages which are easy to turn for small fingers. They are sturdy and solid reducing the risk of damage when being passed around and played with and come with a cut out section which acts as a carry handle. The design and illustrative style of this series is simple with a happy and playful atmosphere created through use of bold colour and line. This grabs the attention of the child and evokes a sense of happiness. The colours used, although bright and bold are still true to life e.g, orange fox, green frog, black and white cow etc.



Overall I feel these books are innovative as they challenge the standard perception of "what reading can be or is" they engage the child in a unique manner by creating a personal first hand relationship with characters which not only encourages a more creative imagination, but a deeper understanding of narrative and interactive play. I also believe in some way the way the child "performs" to parents and peers whilst using and playing with the book, may develop confidence in terms of public speaking later in life. 

Innovation 2:
Innovation 3:

Sunday, 6 April 2014

Main brief: development

Spread 1 concept... Getting closer:


I am starting to like this spread concept now. The colour pallet is more about shades and tones than in your face bold colours, which I feel is mature yet the underlying colour is still fun and appropriate for a child of 8 years or over. The images I intend to incorporate on the lifting/flap circles are a basic outline drawing that still reflects factual scale, and detail. There would be full colour photographs underneath the circles which could move in a range of ways such as, lifting, spinning, opening like a book... and digitally the circles could be touched to create a zoom, or a spatula could flip them etc. A sound could also be incorporated such as a bubbling, boiling, chopping or hissing of a pan for digital versions.
By using circular images i am creating an idiosyncratic appearance that has continuity throughout the spreads and cover. This reflects again the notion of things being ever-lasting, sustainable, and organic in addition to relating visually to the world as a whole. I still see circles as a things that implies a sense of looking in to or through something, which is appropriate in terms of exploring curiosity etc.

Main brief: development

Spread concepts:


I am interested in the idea of extendable pages. This would allow greater space to work with and create an interactive spread for children. I have divided the page out into the standard A3 or 2xA4 layout which is essentially the two centre sections. The space on either side which i have made purposely uneven would be a flap or pull out section. If I go forward with these sections being underneath a flap then this would effectively create a space on the "top" of the flap as well which could be used productively. If on a pull out section, I would not have to worry about the aesthetics when the flap was closed, or if it doesn't cover enough of the page/doesn't look balanced etc
I have created circular images  of my experience cooking the dish, which I feel look a lot better, and somehow more organic than square ones. However, the balance of colour between the background and the images is too clashing. I am tempted to have an illustrated image on the top of the circle and have it as a flap again creating something more interactive again. With the photo and instructions below.
I have used the image i created for the cover in the lower left corner to create some continuity but also to display the dish. Im not sure if this is effective.
In Photoshop this document is more purple, probably down to differences in web/print colour formats? However, I would like to make the purple less intense and more understated and organic/natural to reflect the front cover and also the notion of things being natural and good for you. I personally relate bright colours with "added colours" and E-numbers, so i imagine other parents would as well, which may put them off allowing children to cook the recipe. It doesn't reflect the rich and yet healthy nature of the cooked product either.


Here I've made a couple of changes, the image that was in lower left corner is now enlarged and raised, and I have also lowered the opacity in order to use it as a background for text. I have popped a drop shadow in under the title text in order to make it stand out better which i feel it does now.


Saturday, 5 April 2014

Mock up

A quick mock up:



Here is what the designs I have played with so far could look like on digital devices. I am aware that this would not necessarily be what you would choose to display but I was more interested in how colour communicated in this format. I like the flat green of the cover design on the macbook air template however i am not keen on the background mock up, my concerns have been solidified through this exploration and I will most likely move on completely from this design for spread 1.

Main brief: Thoughts so far

My thoughts so far, and what I would like to do next:

Thinking back to the session where we studied extra features in books and the way in which they were laid out, I remember being particularly drawn to a book which was really quite random inside with no real generic concept running throughout. I am quite tempted to try this style out as I feel a bit bored of repeating the same style from the cover.
Some ideas on this:

  • Chopping board backgrounds, could be different shades or have a logo on the board for different seasons.
  • page backgrounds being coloured depending on season
  • tags and secret books to add tweaks to recipes ( something i had considered previously but would like to pay more attention to)
  • embossed text on the inner pages
  • More circular motifs and panels
  • increasing the page space even more with the flaps
  • A "Local food lunches and "Little Green Trees" Apron that comes with the book
  • A spoon lock 
One thing i have noticed in my development process is that photographs do not seem to make good backgrounds, the text becomes very hard to read. I am going to take another look at some strong examples of cookery books for the age range for new inspiration. 




Main brief: development

Poster concepts and Initial Ideas:



I am currently playing around with the idea of a seasonal vegetable chart/Poster which would be categorised simply into the four seasons, indicated here by the use of relating colour and accompanying imagery.  I would like to have a go at screen printing this at a later stage... I have other Ideas that I would like to continue with and build on before committing to this design style. I believe the colours are a clear indicator of season and also the way in which the colour surrounds the white central image conveys a sense that this is a take on "the world" or landscape.

Main brief: Development

Spread initial concepts:


With this spread concept I intend on having a step by step instruction and photo, underneath these panels, they could lift up or down. This would make the book more interactive. In addition if this design was taken into a digital format i have played with the idea of these areas being touch responsive. Perhaps a spatula could come in and "flip" the panels to reveal the instructions and images underneath. Or the panel could flip and zoom to make the instructions more legible.
I have also considered the Idea of having a flap on either side of the A3 spread, that effectively closed in and covered the whole thing, like a menu in a restaurant. I could have something more colourful on the exterior.
Things I would like to incorporate or change etc:

  • Im not sure if the spread concept is too much of one colour for children. Although the flaps would reveal more colourful photographs.
  • Im considering on improving the layout and scale of the panels.
  • I think circles would look better as they would reflect the image on the cover as well as the local food lunches logo. Also a circle implies a sense of looking through or into something.

Friday, 4 April 2014

Main Brief: Further Development of cover and back.

Further development:


I am happy with this deign overall, as time goes on during the module I may develop things further but i have made some more changes now that I feel create an attractive cover.
Such as:

  • Incorporation of logo
  • Corrections in type
  • Re-scale of spine type
  • Incorporation of green circles on the wheels of tractor, to brake up the white, also this reflects the circle of the image and the local pod lunches logo.
When I was sketching out this design I had the local food lunches logo in mind which is why, initially I started with something circular, however a circle implies something infinite and never ending which conveys the sustainable message. The image over all reminds me of the world and the landscape or environment which is appropriate for the book content also.